"LU, Art Car Museum," by Garland Felder, ArtsHouston Magazine, July 2007.

"Notes from the middle-aged underground: For one night only the '90s art
     world lived again", by Bill Davenport, Houston Chronicle (Zest), 

     February 5, 2006, pp. 6,20.

"An Institution: Commerce Street Artists Warehouse keeps a spring in its 
     step," Keith Plocek, Houston Press, "Best of Houston," Sept. 29-October, 
     2005, p. 67.

"Possessed: Les Marks art-filled Houston home is bursting with one of the
     most acclaimed and diverse art collections in America," by Laurann
     Claridge, Papercity, March 2005, pp. 28-31.

“Art: Some nice surprises await an adventurous gallery explorer,” by Susan 
     Chadwick, The Houston Post, Wed. April 24, 1991, pp. D1-D3.

“Art Dogs,” by Tony Romano, photographer, Houston Metropolitan, 
     November 1990, pp. 51.

“Hang Censorship”, by Patricia Johnson, Houston Chronicle, 1990.

“My Art Belongs to Dada”, by Edie Scott, Public News, Sept. 27, 1989, pp. 12

"Space to Create: Inside a Communal Artists’ Studio," by Patricia Johnson, 
      Houston Chronicle, Texas Magazine, Sept. 17th, 1989, pp. 10-21. 

"Artists," Houston Chronicle Texas Magazine, (Cover story) Photographic 
     spread by Ben De Soto, April 3, 1988, pp. 4-9. 

"Visiting Galleries," Bill Graham, 11x14 Art, Winter Issue, 1988, pp. 6-7.

“Altars’ exhibit runs the gamut”, by Patricia Johnson, Houston Chronicle, 
     April 18, 1988.

“Altars”, by Gary McKay, Ultra, April 1988, Volume VII, Number 8.

“The Houston Letter”, by Louis Dobay, Artspace, March, 1988, pp. 61-62.

“Portraits and Politics”, by Robert Rosenberg, Public News, Dec, 9 1987 
     pp. 12.

“Sculpture the Spectrum: Works by contemporary artist explore light sound, 
     distance,” by Steve Bennett, San Antonio Light, Sun. Nov. 1, 1987, 
     pp.J16. 

“In the Third Coast Art Capital”, by Jamey Gambrell, Art in America, April 
     1987, pp. 186-204.